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- Ten lectures
- Visits
- Special Interest Days
- NADFAS Review, a magazine printed quarterly
- Church Recording at St Andrew's, Cobham
- A Young Arts project each year
- Tours
- Heritage Volunteers
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The Lecture Programme for 2009 A preview of the
2010 programme.
Lectures are held at Hersham Village Hall on Queens Road
by Hersham Green on Thursday afternoons at 2.30pm.
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January 8th -
Hilary
Guise
Alfred Sisley and the French Impressionists
Alfred Sisley was an English Impressionist painter who spent
most of his life in France although he visited England on
several occasions including a visit to Molesey. The art
historian Robert Rosenblum describes him as producing the
"textbook idea of a perfect Impressionist painting". This
talk coincides with an exhibition at the National Gallery
between 12 November 2008 and 15 February 2009 on "Sisley
in England and Wales".
For more information see
Alfred
Sisley and the book by Richard Shone,
Sisley. |
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Molesey Weir, Alfred
Sisley, 1874 |
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February 12th -
James Malpas
The Victorian ‘Olympians’ – Leighton, Alma Tadema, Poynter
The Victorian Olympians were a group of artists including
Frederick Leighton, Laurence Alma-Tadema, Sir Edward Poynter and
Albert Moore, who were
passionate for Greek and Roman art as they felt it represented absolute beauty.
Their work fell between the pure aestheticism of James Whistler
and the moralising work of the early Pre-Raphaelites.
For more information see
Frederick Leighton, and the book by Elizabeth Prettejohn,
Art for Art's Sake. |
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Flaming June, Lord
Leighton, 1895
The painting is owned by
the Ponce Museum of Art in Puerto Rico but is on display
at Tate Britain until early 2009. It was rescued by the
Puerto Rican industrialist Luis Ferre in 1963 for
$10,000 after it failed to sell for $140 at auction.
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March 12th - Elizabeth Rumbelow
Diaghilev’s Ballets Russes: A Synthesis of Excellence?
The talk looks at how the Russian
impresario Diaghilev created a ballet company in which, for the
first time, a dazzling array of painters, such as Picasso and de
Chirico, composers such as Ravel and Stravinsky, and dancers of
the calibre of Nijinsky and Pavlova, worked together on
collaborative productions. In particular the talk concentrates
on Petrushka and L'Après Midi d'un Faune and their sets,
costumes, choreography and music. For
more information see
Sergei
Diaghilev and the book by Lyn Garafola,
Diaghilev's Ballets Russes. |
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Leon Bakst, Vaslav Fomich Nijinsky
(Вацлав Фомич Нижинский) (1890-1950), in the ballet L'Après Midi
d'un Faune, 1912
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- Angela Cox
The Art of Thomas Gainsborough
In a career of more than 40 years, Gainsborough developed his
art from small scale portrait groups of Suffolk gentry, to
elegant and sensitive images of England's political and cultural
elite. Similarly, his landscapes evolved from pastiches of
Dutch styles to paintings of grand pastoral landscapes. The
lecture explores this development in the context of the
competitive artistic milieu of the later 18th century.
For more information see
Thomas Gainsborough and the book by William Vaughan,
Gainsborough.
(Please note the date is the first Thursday in the month) |
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Thomas Gainsborough, The Painter's Daughters,
Margaret and Mary, Holding a Cat, c. 1759,
not finished, National Gallery, London |
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May 14th - Dr Lucy Worsley Horses,
Women and Great Country Houses: The Life and Loves of the First
Duke of Newcastle
William Cavendish, first Duke of Newcastle, 1593-1676, was
the grandson of the celebrated Bess of Hardwick and inherited
her love of building magnificent country houses. He had a
roller-coaster life, entertaining King Charles I at Bolsover
Castle and commissioning some of the seventeenth century's most
spectacular wall paintings and sculpture before riding
unsuccessfully into battle in the English Civil War. After a
fifteen-year exile that he spent in the house of the painter
Peter Paul Rubens in Antwerp, William returned to England at
last in the company of his second wife, the writer Margaret
Cavendish. The political tumults of the seventeenth century form
the background to an exploration of Cavendish's marvellous
houses, especially Bolsover Castle in Derbyshire, and we will
explore their wallpaintings, lascivious sculptures, stables,
gardens and fountains.
This lecture, exploring Cavendish's life and architectural
patronage, ties in with Lucy Worsley's biography
Cavalier: a tale of chivalry, passion and great houses. It was described by The Mail on Sunday as 'a remarkable
achievement by an immensely talented and innovative historian'. For more information see
William Cavendish. |
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William Cavendish, 1st Duke
of Newcastle
(1592/3-1676)
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June 11th - Dr Sally Dormer Salisbury
and the Medieval Cathedral
Salisbury Cathedral is the quintessential example of an Early
English Gothic church. Built rapidly between 1220 and c. 1258,
its restrained elegance was further enriched in the 1330s with
the addition of its famously lofty spire. This lecture will
explore the medieval history of Salisbury Cathedral and set it
within the broader context of 13th-century architectural and
liturgical developments. There will also be the opportunity to
think about the assortment of splendid tomb monuments which
survive in the cathedral and the extensive scheme of Old
Testament narratives carved around the interior of the Chapter
House.
For more information see
Salisbury Cathedral and the book by David Durston,
Salisbury Cathedral. |
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July 9th - Douglas Skeggs Hockney
David Hockney, CH, RA, (born 9 July 1937) is an English
artist, based in Los Angeles, California, United States. An
important contributor to the British Pop art movement of the
1960s, he is considered one of the most influential artists of
the twentieth century and he settled in California during the 80's.
For more information see
David
Hockney and the book by David Hockney,
Hockney's Pictures. |
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David Hockney, A Bigger
Splash, 1967 |
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September 10th - Dr Mervyn Miller
Frank Lloyd Wright: American Architect
Supreme Frank Lloyd Wright (1867-1959) created an
American architecture in the late 19th century, with arts and
crafts values of house and home, that was categorised as the
Prairie style. His own house and studio in Oak Park, a western
Chicago suburb, became a prototype for numerous houses across
the mid-west. Presenting a challenge to the more formal
classicism of the eastern seaboard. His practice stalled with
the scandal of his elopement with the wife of one of his
clients, and he created his own refuge at Taliesin, Wisconsin,
in the heartland of his family. During the First World War he
designed the Imperial Hotel, Tokyo, which gained world-wide
publicity for surviving the Tokyo earthquake of 1923. In the
early 1930s, his friends created the Taliesin Fellowship, and
buildings such as 'Fallingwater' and the Johnson Wax building
brought lasting acclaim. His last completed building, the
Guggenheim Museum in New York helped launch the modern cult for
'Iconic Architecture'. This talk is based on the lecturer's
visits to Frank Lloyd Wright buildings since the late 1960s and
it presents an overview of the life and work of a
controversial genius. For more information see
Frank
Lloyd Wright and the book by Meryle Secrest,
Frank Lloyd Wright: A Biography. |
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Frank Lloyd Wright,
Hillside Home School, 1902, Taliesin, Spring Green,
Wisconsin
(Photo copyright Jeff Dean) |
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October 8th - Suzanne Perrin Japonism
to Modernism: How Japanese Style Changed Western Art
It is now well documented that most of the prominent artists
working in England, Europe and America in the 19th century owned
some - and sometimes many - Japanese artefacts, including
woodblock prints, ceramics, silk textiles, furnishings and many
other diverse objects that came from the opening of Japan to
western trade in the early 1850s. Having been a 'closed
country' (sakoku) for over 200 years, Japan was an unknown
nation brimming with exotic culture, arts and crafts that were
to inspire Western artists into new directions in art of all
kinds through the 20th century to the present day. The seminal
work of woodblock print artists like Hokusai and Hiroshige ,
working in Edo (present day Tokyo) in the 18th and 19th
centuries, created a new way of looking at the world that
inspired artists such as Toulouse-Lautrec, Van Gogh, Monet,
Degas, Cassat, Prendergast, Whistler, Valotton, Vuillard and
many more. The term "Japonism" was coined for all types of
work created with a Japanese theme, from paintings and prints to
furniture, interiors, architecture and gardens. This formed the
basis for the design movement "Modernism" that was to shape our
world into the 20th and 21st centuries. Japanese style is here
to stay, and forms an integral part of British and European
design history through Modernism, and into the New Age of
fashion and technology. See
Japonism. |
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Utagawa Hiroshige (歌川広重,
1797-1858),
Great Bridge, Sudden Shower at Atake
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November 12th - Carolyn Leder Sir
Stanley Spencer: An Autobiography in Pictures
Stanley Spencer (1891-1959) was one of the most memorable
modern British artists. He gained early recognition for ‘The
Resurrection, Cookham’ 1924-6, one of several resurrection
pictures which depict the general resurrection of the dead at
the second coming of Christ. Spencer was endlessly
autobiographical and noted, ‘my longings became pictures’. His
name became synonymous with Cookham, the village of his birth,
which shaped his work throughout his career, and formed the
setting for numerous biblical and figure paintings, as well as
landscapes. He followed Renaissance precedent in setting
religious subjects in his own time and place. His mural
decorations at the Sandham Memorial Chapel, Burghclere,
commemorate the First World War and are one of the great
achievements of twentieth century painting. His figure paintings
reflect his turbulent private life and his landscapes depict the
countryside with painstaking verisimilitude. Our
lecturer, Carolyn Leder is an art historian and a Trustee of the
Stanley Spencer Gallery, Cookham, who wrote
Stanley Spencer:
The Astor Collection (London: Thomas Gibson, 1976).
For more information see
Stanley
Spencer and the books by Duncan Robinson,
Stanley Spencer, and Kitty Hauser,
Stanley Spencer. |
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Sir Stanley Spencer
(1891-1959), Self-portrait, 1959
(copyright Estate of Stanley
Spencer)
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